Joon-ho Bong's new film,released last year, but at the first time enter the theaters in US this March, so we get together and expect to enjoy this horror film.First time seeing such a large title of "CJ entertainment", feel weird but excited. 

The story is basically about how a mother detects the truth of a murder case to defend her son who has been accused as the suspect criminal, but her son seems too innocent to hurt any one. However, when the true story finally be revealed, the desperate mother realizes his son is actually the true killer. To cover the truth, she commits another secret murder and by this way saves her son. The end of the story is brilliant and could be understood as metaphor that, to get rid of the feeling of guilty, the mother acupunctures a specific meridional point on her leg with a needle and in effect she forgets all the painful memories and dance happily. The murder case seems always the center of Bong's films. Seven years ago, at the end of "memories of murder", the true criminal becomes an open question. Seven years later, Bong pointed to the Mother and suggests that she is the true killer who should be responsible for the tragedy. 

Related this film to a social issue in Korea recently, the metaphor becomes more interesting, or may be more true. Pak Jae Beom, a Korean American pop singer in South Korea was blamed to betray his mother "country" based on some hot words posted on his Myspace when portraying his feeling of Korea. Without listening to any explanation from the kid himself, the whole society goes crazy to treat him as someone commit high treason who even deserves a suicide for redemption.Under the social pressure, the pop star quits his career in Korea and back to US, and someone suddenly realize that is too much for a kid, and they try to speak for the kid. And a large number of his fans began to fight for him and announced that they would forgive him even though he truly spoke those hot words before. It is just the same as they hold a huge needle and be prepared to penetrate it into their own bodies for getting rid of the painful memories and feeling of guilty. 

However, it is sad to say that it is real life not a film. Forgetting the collective violence just by a little punch, you can't be more serious.

Still remember how upset I was when I missed the pre-screening of this film several months ago. Since I missed the first run, I'd rather just forget it as like I walked away from any person who ruined "the first run", until, someone recalled it, or until I am selectively amnesia.

It was said the stories were too awkward to understand. However, the relationship between strangers in the film impressed me most, which is also the most exciting and amazing part of NYC that I am obsessed with. 

Remember one of the most pop this year? "Need u now". 
As to the past or the future, as somebody said, who F***ing cares? 

Everyone is just too busy, too lonely, too selfish, too independent to manage a long time and complicated relationship or friendship, so why don't you just kiss someone or huge someone before the Right come if you believe it will? 

However,the sad thing is sometimes somehow the strangers become the only ones we can talk to, the only ones we can have sex with, or the only ones we dare to love. 

Thus, give a big smile to an old friend as if facing a stranger, because anyway that could be the last one.

看完迪士尼《花木兰》的时候，气到无奈，丫敢找一更黑的来演中国人吗
可到底还是乐呵呵地度过了两个小时，主角长得丑是丑了点，但是情节还是很好笑的。

看完马楚成《花木兰》的时候，哭到无奈，丫敢不把中国女英雄的故事拍成《星愿》续集吗？
马导坚守着他“想爱不能爱”的制胜宝典，愣是整出了一个《潜伏》式的具有革命浪漫主义情怀的爱情悲剧片。

马版《木兰》占着迪士尼的便宜卖着海外版权，就好像迪士尼当初占着中国的便宜把《花木兰》卖给中国人一样。
可是，就好像当初中国人看到迪士尼的《花木兰》觉得自己上当受骗了一样，那些老外们应该也会一样吧。

 试想一下，那些期待着看到章子怡般活蹦乱跳中国版花木兰的老外们，最后却只能看到一张苦情的脸，那该多郁闷啊。
他们怎么可以理解一个独立自主叱咤疆场的女英雄最后会无奈离开他心爱的人，还劝对方接受政治联姻？
按照他们的逻辑，要么就该是木兰重披战袍乘胜追击，灭了那公主的什么什么国，一了百了，要么，嗯，木兰是个gay吧？

好久不来了，久到以为自己会忘了密码，结果我没有。
距离上次来这里写文的那个我 应该差好多了吧 至少衣服是胖了 又或许其实什么没变 曾经以为自己拥有了很多 多到让自己害怕 怕自己承受不来 结果原来什么都没有 什么都曾留下 也什么都不会带走

室友要走了 离开这个她呆了十年的国度 回到她来的地方
她养了十年的狗也要送人了 因为她舍不得让她坐那么久的飞机 还要在检疫站接受长达几个月的免疫检查
 她一直努力地打包 寄东西 收拾行李 跟朋友告别 直到今天 看着那个完全不知道自己“妈妈”要离开的小家伙 她哭了
 一个长我快20岁的女人在我面前泪流满面
我跟她很像

我没有办法帮她治好她的重病让她继续留下来
也没有办法照顾她的狗
我只有转身 留一个角落给她慢慢地消化

跟自己说我觉得不要在一个地方超过十年 而事实上 我也从来没有
最近还在检讨 本人是从什么时候开始变得不靠谱了 原来是从这里开始
我害怕那些渗入血脉的记忆 我害怕离开那些人 我害怕记得那些人 我也害怕重新见到那些人 那些陌生人
除了我的家人

《斗牛》最爱的是最后那个镜头 牛二跟白毛女一样站在山崖边吃着山果 周围很宁静。
一场那么那么久死了那么那么多人的战争 最后留下的还不是一些苗 一些牲口 一些人
可是，然后会多些苗 多些牲口 多些人 然后重新洗牌 然后继续不同的战争
有几人真的可以看着云淡风轻 过着世外桃源的宁静生活？

当你快要忘记这个世界的残酷的时候，生活就会在某个不经意的时候挠你一下，顺便提醒你，你还活着。

正式搬了家，每天看着远处的灯塔和河那边被人形容得如此精彩的那座城在你面前闪呀闪呀，日子突然安静了下来。
人总是这样吧，身在城中的时候，夜夜是不眠的喧哗，可是有个机会抽离的时候，所有的精彩原来可以看起来这样安详。

收拾完东西到不想动弹，于是在家里翻些以前的片子来看。
看了《wall-E》，机器人也可以有爱情，无言的安静的爱情。即使她没有回应，也愿意陪她晒太阳，给她打伞，为她唱歌，带她去看星星，然后在她被迫要走的时候，不顾危险地跟着她。只是想牵着她的手，and the moment will be timeless.

看了《Mamma Mia》，连我最爱的斯特里普大人都开始乱碰乱跳了，就当它是惊喜吧。两个相爱的人分隔20年的事情我信，可是他们互相不知道，而且重逢的第二天就结婚的事情还是让它在童话里发生吧。不过那片碧海蓝天还是很诱人，还有我的小白房子。于是，会相信那是个可以发生童话的地方。已经记不得是怎么说到小白房子这个话题，传来传去居然变了味，成了一个约定，童话一样的约定，只是我并不知道结局。

安静地生活，人也变得愈发地慵懒，该是时候重新开始上路了。